In the Power Trilogy, detective inspector Sanna Johansson and her team work to solve a series of violent and troubling crimes. DESPAIR explores a brutal murder in the Swedish upper class, a mother’s revenge, and corruption in the police force. In IMPACT men become victims of a serial killer with a modus operandum that leads police and media to a hunt of a male sexual predator. In MISERY, sex trafficking and a feared mafia organization draws Sanna into the most challenging situation of her life. The Power Trilogy explores the minds of those with power, those who have lost it, and those fighting to regain it.
Lourdes Daza-Gillman (born in Bolivia) is a Swedish crime fiction writer. She has a background as an engineer, politician and artwork artist.
In 2005 Lourdes Daza-Gillman was elected to the board of Feministiskt Initiativ, a women’s movement, and was directly involved in the efforts to make FI a political force. She now had the opportunity to focus on causes close to her heart – raising women’s low wages, preventing men’s violence against women and helping children brought up under these circumstances.
Lourdes Daza-Gillman is also an artist. In 1969 she held her first exhibition in Oxford, England. In Stockholm she has exhibited oil paintings, sculpture and glassware.
Lourdes Daza-Gillman (born in Bolivia) is a Swedish crime fiction writer. She has a background as an engineer, politician and artwork artist.
While living in London during the 1970s she developed a passionate interest in the injustices faced by women around the world. However, her studies and observations were put on hold when she moved to Stockholm, Sweden, where she began a long career at Ericsson as an engineer. During her 28-years at Ericsson, she moved from working in the early 1980s with computer programming, to a variety of expert and management roles in Sweden and abroad.
Lourdes Daza-Gillman is also an artist. In 1969 she held her first exhibition in Oxford, England. In Stockholm she has exhibited oil paintings, sculpture and glassware.
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